www.YlemArt.com
acbishop@YlemArt.com
Over
twenty years experience as an independent professional artist, with awards and
numerous exhibitions on state, regional and national levels. Produced work in a
wide range of sizes and media, including several large public commissions. Work
is primarily non-objective; often combined with images and concepts from
natural, scientific and religious sources. Recent work has concentrated on
applying acrylic paint to shaped wood relief panels; often in a multi-part,
re-arrangeable format.
AWARDS/HONORS
“Artists
and Communities:
National
Endowment for the Arts and the Mid-Atlantic Arts Foundation, 1999 & 2000.
“Artist
of the Day”,
“Traveling
Exhibition Program” award, Utah Arts Council, 1986, 1988, 1990 &
1996.
Visual
Arts Fellowship in Painting ($5,000 award),
Utah Arts Council, 1987.
SELECTED
BIBLIOGRAPHY
Vern
Swanson, “The Contemporary Scene”, Utah Painting & Sculpture, 1997,
p.211, plate 133.
Ann
Poore and Steven Rosen, The Reality of Abstraction: Painting in
Henry
Hopkins & Sherrill Sandberg, A View of Nine, April
1992.
United
States Chess Federation, Chess Life, December 1989, cover art.
Dialogue:
a Journal of Mormon Thought,
Summer 1988, cover art & pp.14,
60, 97, 112, 143, 154, 156.
Western
Humanities Review,
1986, Vol. XLI #2, cover
art.
EDUCATION
1982 Master of Fine Arts
1978 Bachelor of Fine Arts
SELECTED
PUBLIC ART COMMISSIONS
2001
Evolve, acrylic on shaped
wood relief panels – 3 pieces, each 7’6”x16’.
Budget:
$51,000
Widtsoe
Hall /
Commissioned
by the
Trilogy
expresses three major facets of evolution: cosmological, geological and
biological.
2001
Home Sweet Habitat, acrylic
on wood and plastic panels, display approx. 6’x12’x10’.
Budget: $10,000
Commissioned
by
Interactive
exterior installation and sliding panel game displaying habitat components for
black-billed magpie.
2000 Mountain Motion, acrylic on 9
shaped wood relief panels,
7’x24’.
Budget: $38,000
Commissioned
by
Abstracted
representation of Wasatch front geology.
2000
Commissioned
by
Abstracted
representation of
1999
Heal the Children, acrylic on
2 shaped wood relief murals; each 4’7”x10’.
Budget: $20,000
The
Children with Special Health Care Needs Clinic,
Commissioned
by the
A
collaborative expression of healing based on children’s art and ideas.
1999
Ballpark Station for new
light rail system (as part of a collaborative design team).
Budget:
$80,000
200
West 1300 South,
Commissioned
by the
Developed
colored concrete paver pattern as part of a community oriented design.
1996
Energies, acrylic on shaped
wood relief, 48”x72”.
Budget: $5,000
Commissioned
by the
An
abstracted depiction of three human figures engaged in activities common at the
center.
1996
Leonardo on Wheels, acrylic
on plastic relief panels, each 35”x30” or 28”x24”.
Budget: $8,000
Commissioned
by the
14
hexagonal logo panels depict exhibit clusters in traveling science and arts
principles exhibition: sound, light, motion, balance, energy, structures &
patterns, and the universe.
1993
Probe, acrylic on 5 shaped
wood relief panels (vertical installation), 25’x5’.
Budget: $33,000
Southern
Commissioned
by the
Panels
represent scientific investigation in physics, chemistry, biology, geology and
astronomy.
SELECTED
SOLO EXHIBITIONS
2003 “Allen Bishop”,
2001 “Uncommon Organisms”,
1998 “Emergence”, Miriam Perlman Gallery,
1997 “Natural Constructs”,
1995 “Laws of Nature”, Phillips Gallery,
1990 “Allen Bishop”, Fellowship Exhibit,
1990 “Altered Shapes”,
1986 “Ylem Continuance”,
1983 “Spirit Matter”,
SELECTED
GROUP EXHIBITIONS
2003 “Faculty Exhibition”,
2003 “Director’s Choice”, Missouri Western
State College,
2002 “
2000 “Utopia, Dystopia, Apocalypse: Images for a
New Millennium”, Atrium Gallery,
1999 “Y2Khaos”, Nevada Institute for
Contemporary Art,
1997 “American Print Survey”,
1996 “Reality of Abstraction: Painting in
1990 “A View of Four”, Fellowship exhibit,
1985 “New Art in the West”, Vorpal Gallery,
1983 “9th International Miniature Print
Exhibition”,
REPRESENTATION
Phillips
Gallery,
444 East 200 South,
SELECTED
TEACHING HISTORY
Ten
years experience in art education at the university, secondary and elementary
levels. Student populations have included producing studio artists, graduate and
undergraduate art majors, elementary and secondary students and teachers,
accelerated, special education, at risk and Spanish speaking children and youth.
Capable of assimilating new ideas quickly and applying them effectively in the
classroom.
Committed to developing creative
potential in all students.
Salt
Lake Community College,
University
of Denver,
Denver, CO (1981)
Drawing, Silk Screen
SELECTED
RESIDENCIES
Over
40 short term (2 weeks - 6 months) residencies (1987-present) with emphasis on:
a) providing a quality creative experience for students; and b) helping teachers
develop excellence in art education.
2004
2001 Cathedral of the
2000
1999
1998
1996
Neighborhood Housing
Services,
1996